“Disons-le d'emblée: la première, voire la seconde écoute, furent difficiles. Et pourtant j'ai persisté, sans trop savoir pourquoi. Jusqu'à être séduit…
By Inactuelles, musiques singulières
“The implicit subject matter of all sound systems—the flow of power and relationality through an amplifying network. . .”
By Ines Goldbach, Director, Kunsthaus Baselland
“In a brilliant grammatical ellipsis, Jonas stages an unresolvable encounter between containers. . .”
By Marina Rosenfeld in The Wire Magazine
David Joselit and Marina Rosenfeld in conversation about her exhibition ‘Partials’ at Miguel Abreu Gallery
“The title of the work Cee (c) seems to hint at its near-transcendence into the visual realm—almost, “see”; not quite. . .”
By Lisa Yin Zhang in TheGuide.art
“I discovered the idea of the problem itself… “
By Tobias Fischer, 15Questions.net
“I had this strange, high modernist training. . .”
by Barbara London, London Calling, Season 1, Episode 12
Episode 32 of Yarn/Wire ensemble’s composer series ‘Feedback’ with guest interviewer Hong-Kai Wang
“The work sits somewhere in between a hyperalienation and a momentary sociality. . .”
by Noëlle BuAbbud, Berlin Art Link
“They try to send themselves — those voices of the ’90s, voices that swing between euphonious and fucked — to sleep. . .”
by Fumi Okiji, Flash Art
“The call to unison, those millions of metrical and supervisory events that instrumentalize our sensoria in the name of content and participation. . .”
Cat Hope, for Decibel New Music
“L’ambivalence est structurelle. . .”
by Céline Hentz, Musica, le magazine.
“I decided that an interesting way of addressing a space was to treat it like a body and ask it to listen.”
By Reece Cox, for INFO Untld.
“In improvisation, feelings are often facts.”
by Canada Choate, Artforum.
“…kind of like if I would take myself and throw myself into space, and imagine how that would…”
by Luisa Santacesaria and Giulia Sarno, Musica Elettronic.it
Fumi Okiji, Bill Dietz and Marina Rosenfeld in conversation on the occasion of Rosenfeld’s exhibition ‘Music Stands’ at The Artist’s Institute
“It was another chance to pose a slightly hostile question…”
By Cat Kron and David Roesing, Induction Burners
“I find the line from Cathy Berberian to the Swingle Singers a perplexing continuity—and not in a good way!”
by Tristan Shepherd, BOMB Magazine.
“You are listening to a an ontological problem, a problem of memory and presence. . .”
By Julie Beth Napolin, continent
“Here, in the face of a further codification, another ‘genrefication’: an authentically negative gesture. . .”
By Bill Dietz, for Room40
“Rosenfeld reverse-engineered the awkwardness of adolescent isolation. . .”
By Dan Fox, Frieze Magazine.
“. . .a vernacular of contemporary listening, a generation for which technology is like a second-skin. . .”
By Tyler Coburn, Rhizome
“The Sheer Frost Orchestra promotes ideosyncratic behavior over standardization. . .”
by Jason, Schmidt, V Magazine