MARINA ROSENFELD – CV 2024

Artist website: www.marinarosenfeld.com

Solo Exhibitions

2023

The Agonists, Museum Art.Plus with Donaueschinger Musiktage, Donaueschingen

Undreaming the Dream House, Radicants International, Paris

2021

Partials, Miguel Abreu Gallery, New York

WHITE LINES, Migros Museum for Gegenwartskunst with Sonic Matter Festival, Zurich

We’ll start a fire, Kunsthaus Baselland, Basel

2019

Music Stands, The Artists Institute, New York

2017

Deathstar, Portikus, Frankfurt

After Notation, Bard Center for Curatorial Studies, Hessel Museum, Annandale

2016

Teenage Lontano, Museum of Contemporary Art Cleveland, Cleveland

2002

anti-Warhol Movement, Diapason Gallery, New York

1999

Waltz, Plattform für Zeitgenössische Kunst, Luzern

the heavens & madscene, Curt Marcus Gallery, New York

1998

theforestthegardenthesea, Curt Marcus Gallery, New York

Selected Group Exhibitions

2024

15th Gwangju Biennal, curated by Nicolas Bourriaud, Gwangju, South Korea

2023

1er Biennale Son/Biennial of Sound, Sion, Switzerland

“La Colère Divine,” Centre Européen d'Actions Artistiques Contemporaines, Strasbourg

“Notes on the Index in Accelerated Digital Times,” curated by Noam Segal, Pompeii Commitment

2021

“Hotel Le Lièvre #5: Marina Rosenfeld and Eileen Quinlan,” Campoli Presti Gallery, Paris

“Seeing Sound,” Kadist Foundation, San Francisco, curated by Barbara London

2020

Aurora Biennial, public project, Ssalute, curated by Noam Segal, Dallas

2019

“Lifeforms: How long is an echo?,” Haus der Kultur der Welt, Berlin

2017

‘Every Time A Ear Di Soun’: Documenta14 radio program, curated by Adam Szymczyk and Bonaventure Soh Bejeng Ndikung

2016

Biennale de Montreal, Museum of Contemporary Art Montreal, curated by Philippe Pirotte, Montreal

“Whatever Moves Between Us Also Moves the World in General,” Murray Guy Gallery, New York

2015

“Aftersound,” Miller Gallery at Carnegie Mellon University, Pittsburgh

“Her Noise,” Tate Modern Museum, London

2014

“Sexxxing Sound: Aural Archives and Feminist Scores,” James Gallery, CUNY Graduate Center, New York

2013

“Art Is: New Art,” 2013, Arnold Schoenberg Center, Vienna

2011

“Spatialized,” q-o2 Gallery, Brussels

PERFORMA Biennial of Performance, “The Ginger Island Project,” curated by Liutaurus Psibilskis, Red Egg nightclub, New York

2010

“No Longer Empty at the Liverpool Biennial,” Liverpool

“The Island,” Flagler Memorial Island, curated by Shamim Momin, Miami

“Ensemble Zwischentöne & die 35 Megaphones des Orchester für direkte Demokratie,” Berlin 

2009

Teenage Lontano, Stedelijk Museum and The Holland Festival (co-production), Amsterdam

PERFORMA Biennial of Performance, ‘P.A.’, Park Avenue Armory, New York

Festival MAPA, Figueras and Pontos, Spain

2008

Whitney Biennial of American Art, Teenage Lontano at Park Avenue Armory, New York

2007

“Between Thought and Sound: Graphic Notation in Contemporary Music,” The Kitchen, New York

2006

“Her Noise: Archive,” Bergen Kunsthall, Bergen

2005

“In Resonance,” Henry Gallery at the University of Washington, Seattle

2004

“Music/Video,” Bronx Museum, curated by Lydia Yee, New York

2002

“Music/Video,” Strasbourg Musée d'Art Moderne et Contemporain, curated by Lydia Yee, Strasbourg

“Sonic Garden: Laurie Anderson, David Byrne, Marina Rosenfeld & Ben Rubin,” Creative Time/World Financial Center, New York

Whitney Biennial of American Art, Whitney Museum, New York

“Rock My World: Recent Art and the Memory of Rock 'n' Roll,” CCAC Institute, curated by Ralph Rugoff, San Francisco

2001

“Bitstreams,” Whitney Museum of American Art, New York

1999

“Sounds Like Art: Matt Heckert, Marina Rosenfeld, Trimpin,” Yerba Buena Center for the Arts, San Francisco

“The Invisible Touch,” Kunstraum Innsbruck, Innsbruck

1998

“Superfreaks—Post Pop and the New Generation, part II: Odyssey,” Greene Naftali Gallery, New York

1997

“Hot Coffee,” Artists Space, curated by Tom Lawson, New York

Selected Performances

2023

Deathstar (duration), with pianist Marino Formenti, Sion (see Biennale Son above)

Teenage Lontano, Muziekcentrum De Bijloke Gent, Ghent

Marina Rosenfeld on Marian Zazeela, “Artists on Artists” series talk and performance, with Jessika Kenney, Dia Foundation, New York

My Body & A Lesser Privacy, with Ensemble Contrechamps, Musica, Strasbourg and Le Bâti Festival, Geneva

Sonic Protest Festival, Paris

GREATEST HITS, Sara’s Worldwide, New York

2022

A Lesser Privacy, with Ensemble Contrechamps, Batiment des forces motrices, Geneva 2021

Sheer Frost Orchestra, with Ensemble Vide, Geneva

aABCb, Tectonics Festival, with Marino Formenti, Onassis Center, Athens

2020

Self-Portrait/Self-Portrait with Material, Qubit, Governors Island, New York

Teenage Lontano, Musica Festival, Strasbourg

Leaving, Skanumezs Festival, with Ben Vida, Riga

2019

Deathstar (Reduction) and My Body, Time:Spans Festival,  DiMenna Center, New York

GREATEST HITS in “Judson Dance Theater, A Collective Speculation”, MoMA/PS1, New York

“Rainforest V: ‘Forest Speech’, participation in group realization, Museum of Modern Art, New York

Sheer Frost Orchestra, Dark Mofo Festival, Tasmania

2018

Standards Studio, Milan

Galleria Fritelli Arte Contemporanea, Florence

“After Experimental Music,” Cornell University, with George Lewis, Ithaca

“Présences Electroniques,” with Ben Vida, Radio France, Paris

Piano & Work (dominos), with Heloisa Amaral, Only Connect, Oslo

GREATEST HITS, Qubit, New York

2017

Deathstar Orchestration, with Ensemble MusikFabrik, Donaueschinger Musiktage, Donaueschingen

2016

GREATEST HITS: A Reproduction, in “Moholy-Nagy: Optical Sound,” Guggenheim Museum, New York

New Ear Festival, Fridman Gallery, New York

MADAEIRADiG Festival, Madeira, Portugal

“Felix Finds a Way,” Light Industry, New York

Manners/Duck Soup, in several parts, with restored memory of interruptions and rehearsal, with Josef Strau, House of Gaga, Mexico City

“After 9 Evenings,” Issue Project Room, New York,

2015

P.A./HARD LOVE, The Kitchen, New York, with Annette Henry aka Warrior Queen and Okkyung Lee

“Auditorium,” Knockdown Center, New York

VIA Festival, Pittsburgh

Vancouver New Music Festival, Vancouver

“ALLGOLD,” PS1/MoMA, New York

Dress rehearsal, virginity, manners (sous les Dominos verts), with Stephen Tcherepnin and Josef Strau, in The metaphysical Store’s continuation: Josef Strau, A Turtle Dreaming, Secession, Vienna.

2014

roygbiv&b (version for South London), South London Gallery, London

“Step and Repeat,” Geffen Contemporary MOCA, Los Angeles

Wesleyan University, Middletown

2013

Guide de la vie associative, Tuned City Brussels, Brussels

“Swedish Energies,” Issue Project Room, New York

2012

HARD LOVE, SPOR Festival, Aarhus

Teenage Lontano, Sonica Festival & City of Women (co-production), Ljubljana

“Listening Room, Discrepant Origins/Acousmatics and Ill Perceptions,” The Studio Museum, New York

“Voices and Echoes: Marina Rosenfeld and Otomo Yoshihide,” Abrons Art Center, New York

2011

roygbiv&b, Museum of Modern Art, New York

Rainbow Gathering, Serralves Museum & Foundation, Porto

Teenage Lontano, Totally Huge New Music Festival, Perth

2010

Marion Spore, New York

Cannons, Faster Than Sound, Aldeburgh Music, Suffolk

Teenage Lontano, Ultima Festival, Oslo

“Festival: Christian Marclay,” Whitney Museum, New York

2009

“T.I.T.O. (International Turntable Orchestra),” Akademie der Kunst, Berlin

The Sheer Frost Orchestra, Cleveland Museum of Art, Cleveland

fervent announcement, Festival MAPA, Figueras and Pontos, Catalonia

Warmup, PS1 Contemporary Art Center, New York,

“Ensemble,” Institute of Contemporary Art, Philadelphia (curated by Christian Marclay)

2007

Ad Libitum Festival, Concert Studio of Polish Radio, Warsaw

2006

Who’s in Control?, Eyebeam, New York,

Moving Patterns: Electronic Music and Beyond, Austrian Cultural Forum, New York

Sheer Frost Orchestra, Tate Modern Museum, 2006, London

WHITE LINES, The British School at Rome

2005

WHITE LINES, Wien Modern Festival, Vienna

'Text of Light’ ensemble,The Kitchen, New York; Walker Art Center, Minneapolis; Empty Bottle, Chicago

2003

Emotional Orchestra, Deitch Projects, New York

Mutek Festival, Montréal

2002

PHONOtaktik festival, Austrian Cultural Forum, New York

“Turntable Hell” (tour), Queen Elizabeth Hall, London; Newcastle Arts Center; Band on the Wall, Manchester; a.o.

Donaueschinger Musiktage, Donaueschingen, with Ikue Mori

Microfestival—Women in Experimental Music, Hampshire College, with Kim Gordon & Ikue Mori, Amherst

2001

“Goodbye Twentieth Century”: guest performance with Sonic Youth, Shedhalle, Rote Fabrik, Zurich

Sheer Frost Orchestra, Whitney Museum of American Art at Philip Morris, New York

2000

Wien/Berlin: Unter Strom: Podewil, Berlin

Ars Electronica, Linz

1998

Fragment Opera, Wires Festival, Los Angeles Contemporary Exhibitions, Los Angeles

1997

Sheer Frost Orchestra, Greene Naftali Gallery, New York

1996

Sheer Frost Orchestra, Mills College, Oakland

Sheer Frost Orchestra, Los Angeles Contemporary Exhibitions, Los Angeles

Selected Recordings

GREATEST HITS, 2023, Info Ultd., Berlin (LP), with Greg Fox and Elie Keszler, drums

Mazen Kerbaj: Sampler/Sampled, (remix) Morphine Records, Berlin (LP)

Leaving, 2021, Marina Rosenfeld and Ben Vida, 901 Editions, Rome (CD)

Teenage Lontano, 2021, Room40, Brisbane (LP)

Index, 2021, Room40, Brisbane (CD & book)

Deathstar, 2020, Shelter Press, Paris (2 x LP). Cover art by Eileen Quinlan.

Vertice, 2020, Fridman Gallery (LP). Cover art by Monika Baer.

theforestthegardenthesea,  2020 reissue by Room40, Brisbane (digital)

joy of fear, 2020, reissue by Room40, Brisbane (digital)

Say Anything, Marina Rosenfeld and Ben Vida, 2018, iDEAL Recordings, Göteborg (CD). Cover art by Eileen Quinlan

P.A./HARD LOVE, 2013, Room40, Brisbane (LP), with Okkyung Lee, cello, and Annette Henry a.k.a. Warrior Queen

Sour Mash, Marina Rosenfeld and George Lewis, 2010, Innova, Minneapolis (2 x LP)

Plastic Materials, 2009, Room40, Brisbane (CD)

joy of fear, 2006, Softl, Cologne

DJTrio: Christian Marclay, Erik M, Marina Rosenfeld and Toshio Kajiawara, 2003, Asphodel, San Francisco

the sheer frost orchestra: hop, drop, drone, slide, scratch and A for anything, 2001, Charhizma, Vienna

a water’s wake, Marina Rosenfeld, Tim Barnes and Toshio Kajiwara, 2001, Quakebasket, NY

theforestthegardenthesea: music from fragment opera, 1999, Charhizma, Vienna

Music for Dance

2014 Scaffold Room, original score for choreographer Ralph Lemon, Walker Art Center, Minneapolis; Fisher Center at Bard College; The
Kitchen, New York

2017-18 STAGING, original score/sound installation for choreographer Maria Hassabi, “Merce Cunningham: Common Time,” Walker Art Center, Minneapolis; Aarhus Festival; Documenta14, Kassel; Moderna Museet Malmö; Kunstsammlung Nordrhein-Westfalen, Dusseldorf; Centre Pompidou; Point Centre for Contemporary Art, Nicosia

2017 STAGED?, original score/sound installation for choreographer Maria Hassabi, The Kitchen, New York; Onassis Cultural Center, Athens; Institute of Contemporary Art, Boston; Wanås Konst Center for Art and Learning, Sweden; Sala Maggiore Ex Gam, Bologna; La Raffinerie, Brussels; Barnes Foundation,  Philadelphia; Actoral Foundation, Marseille

2016 PLASTIC, original score/sound installation for choreographer Maria Hassabi, Museum of Modern Art, New York

2004-08 EVENTS, live music for Merce Cunningham Dance Company “Events” performances, Joyce Theater; Park Avenue Armory; Dia/Beacon; Westbeth, New York

Lectures and Panels

2024

EMPAC, Rensselaer Polytechnic Institute, Artist lecture

2023

Radicants, Paris, with Bastien Gallet

Université Paris 8, « Marina Rosenfeld: Nullité, flou et trace: la musique en dehors de la performance »

 Cornell University, Visiting Artist lecture

2022

Milton Avery School of the Arts, Bard MFA program, Visiting Artist lecture

2021

Miguel Abreu Gallery, with David Joselit

Simon Fraser University, Visiting Artist lecture

Kadist Foundation, “Ketchup Session”  with Philippe Pirotte and Samson Young, 2021

2020

Dallas Aurora Biennial, online dialogue with curator, Noam Segal

Yarn/Wire “Feedback Sessions: Marina Rosenfeld with guest interviewer Hong Kai Wang”

2019

Haus der Kulturen der Welt, Berlin, “Life Forms: How Long is an Echo?” with Louis Chude-Sokei and Melody Jue

The Kitchen L.A.B., “Representation,” with Lydia Goehr and Karen Cytter

The Artist’s Institute, “On Radical Receptivity,” with Fumi Okiji and Bill Dietz

Watermill Art Center, THAWfest, Artist Lecture and Performance

2018

Haus der Kulturen der Welt, Berlin, artist lecture, “Der Ohrenmensch: Platform for listening knowledge”

School of the Art Institute of Chicago, Visiting Artist Lecture

Darmstadt Internationales Musikinstitut “Defragmentation: Convention on Curating 

Contemporary Music/Gender Relations in New Music,” Artist lecture

Cornell University, “After Experimental Music,” Artist Lecture and Performance

Nuova Accademia di Belle Arti (NABA), Artist lecture, Milan

2017

Columbia University, Graduate Program in Art History, Artist Lecture

University of Toronto, Jackman Humanities Institute, “Time, Rhythm and Space,” Artist lecture

NYU, School of Arts and Sciences, Artist Lecture

Goethe Institute Chicago, Second Annual Sexxxing Sound Conference

2016

New Museum, Panel: “Between Dog and Wolf: On Sight and Sound in Space”

Park Avenue Armory, “Curatorial Conversations,” with curator Humberto Moro

New School for Social Research, Graduate Program in Design, Ethnography and Social Thought: “Surface Species: Playback and the Object—Seminar with Marina Rosenfeld”

2015

Center for Brooklyn College, Composers' Forum, Artist Lecture

Carnegie Mellon University, School of Art and Lab for Creative Inquiry, Artist Lecture

Vanderbilt University, School of Art, Artist Lecture

2014

University of California Los Angeles, California, School of Art, Artist Lecture

University of California Santa Barbara, Department of Music, Artist Lecture

Rutgers University, School of Art, Artist Lecture

Wesleyan University, Department of Music, Artist Lecture

Brown University, Dept. of Modern Culture and Media, Conference: “Sonic Focus 3”

2013

CUNY Center for the Humanities, Panel: “The Status of Sound: Writing Histories of the Sonic”

2012

Yale University, School of Art, Sculpture Program, Visiting Artist Lecture

PEW Center for Arts and Heritage, Philadelphia: Conference “Electronic Music Today”

Columbia University, Graduate Program in Music Composition, Artist Lecture

2011

TURA Festival of New Music, Artist-in-Residence and Keynote Speaker, Perth, Australia

Queensland University, Department of Music, Brisbane, Australia, Artist Lecture

MIT, Visiting Artist & Panelist, "Intelligent Life: Maryanne Amacher”

2010

Austrian Cultural Forum, New York, Moving Sounds Festival, Symposium Panelist

University of Colorado at Boulder, Artist Lecture

2009

Parsons School of Art, Artist Lecture

RPI, Department of Electronic Arts, Artist Lecture

Columbia University Center for Jazz Studies, Symposium, ‘Improvisation and Everyday Life' with George Lewis, Arthur Jaffa and Amy Sillman

Selected Awards and Honors

2024

Alpert Award in Visual Art

EMPAC, Rensselaer Polytechnic Institute, Artist Residency and Commission

La Becque Residence d’Artistes, Switzerland, Artist in Residence

Emily Harvey Foundation, Rome, Artist in Residence

Yamaha Artists Services, Appointed ‘Yamaha Artist’

2022

Ensemble Contrechamps, Commission

2021

Foundation for Contemporary Arts, Emergency Grant

2020

Experiments in Art and Technology at Bell Labs Nokia, Artist in Residence

2019

Watermill Foundation, Inga Maren Otto Fellowship

2017

Ensemble MusikFabrik, Commission

2011

Foundation for Contemporary Arts, Grants to Artists Award

2009

New York State Council for the Arts, Finishing Funds Grant

2008

Park Avenue Armory, Artist in Residence

Dia: Beacon, Artist Residency with Merce Cunningham Company

Whitney Museum, Youth Insights Artist Residency

2004

New York Foundation for the Arts, Composer Fellowship

2002

Harvestworks, New York, Van Lier Fellowship

2001

STEIM, Amsterdam, Artist Residency

1999

Yerba Buena Center for the Arts, San Francisco, Wattis Artist Residency

Publications

“Conversation: Meredith Monk and Marina Rosenfeld,” Frieze, January 2024

Listening To Artists, Kunsthaus Baselland, ed. Ines Goldbach, catalogue, 2022

Index, monograph accompanying CD, Index, Room40, 2021

“Inner Sleeve: On Joan Jonas’s Vertical Roll,” The Wire Magazine, December 2021

roygbiv&b, monograph, with essay by Benjamin Piekut, Run/Off Press, New York, 2018

“A Few Notes on Production and Playback,” Audio Culture: Readings in Modern Music, 2nd Ed, ed. Christoph Cox, Continuum, 2017

“The Recording Angels,” roundtable discussion with Marina Rosenfeld, Christoph Cox, Pauline Oliveros, Jace Clayton, and David Grubbs, The New Yorker, April 2014

“Mixtape,” in Paper Monument: Draw It With Your Eyes Closed, 2012

“Score” in Paralellogram no. 27, 2012

“Teenage Lontano” in Interval(le)s Journal of Poetics, University of Liège, ed. Jon Cotner, 2009

“Glitch” in Arcana 2: Musicians on Music, edited by John Zorn, Granary Books, New York, 2007

“Sound-Art Roundtable,” Artforum, April 19, 2005-May 4, 2005

“Top Ten list: Music: Best of 2004,” Artforum, December, 2004

“The Sheer Frost Orchestra: A Nail Polish Bottle, A Guitar String and the Birth of an Orchestra,” Leonardo Music Journal, vol. 12, MIT Press, 2002

Selected Bibliography

Teurer, Sarah Johanna, “Music in the Museum: the artist and composer Marina Rosenfeld speaks with Sarah Johanna Teurer on immediacy, traces and shifts in the experience of music and museum,” Positionnen issue 139, May, 2024

Bécourt, Julien, “When Sound Becomes Form/ Sound, Tout un Médium,” artpress, issue 522, May 2024

Bailey, Bradford, “Marina Rosenfeld - Greatest Hits,” SoundOhm, January 2024

Gallet, Bastien, “Marina Rosenfeld: « On conçoit une œuvre comme une série de négociations », AOC Media Magazine, September, 2023

Younge, Bethany, “Body as Music: Mauricio Kagels' 'Repertoire' from 'Staatstheater' and Marina Rosenfeld's 'My Body’”, DMA dissertation, Columbia University, April 2023

Gallet, Bastien, “La Pluralité du son: The Sheer Frost Orchestre de Marina Rosenfeld,” Hémisphere Son, May 2023

Coles, Dominic, “Leave the Needle on the Jammed Wavelength,” Bellona Magazine, 2022

Dysers, Christine, “‘Wild Inside Itself’: Recurrence, Rootlessness and Resistance in Marina Rosenfeld’s Deathstar Series,” conference paper, King’s College London, 7th-8th July 2022

London, Barbara, “Barbara London Calling: Marina Rosenfeld”, Season 1, Episode 11, podcast, December 2020

Schwartz, Astrid, “Zeit-Ton magazine: Marina Rosenfeld,” radio broadcast 56 minutes, 22 April 2020

London, Barbara, “Listen to This! Sound Art Reflections,” Frieze Magazine, Fall 2020

Younge Bethany, “An Analysis of Marina Rosenfeld’s My Body” (lecture), Columbia University Dept. of Music, December 2020

Zhang, Lisa Yin, “Marina Rosenfeld at Miguel Abreu Gallery,” TheGuide, October, 2021

Rosenfeld, Marina, “Watch: Marina Rosenfeld’s Teenage Lontano,” The Wire Magazine, August 2021

Fischer, Tobias, 15 Questions with Marina Rosenfeld, 15Questions, July 2021

Torres, Roland, “Marina Rosenfeld: Teenage Lontano,” SilenceAndSound.com, October 2021

Cowley, Julian, “Index and Teenage Lontano: Review,” The Wire, October 2021

Okiji, Fumi, “Lullaby for Those Who Should Have Come of Age in the 1990s: On the Reuissue of Marina Rosenfeld’s theforestthegardenthesea”, Flash Art, September 2020

London, Barbara, “Listen to this! Sound Art Reflections,” Flash Art, September, 2020

BuAbbud, Noëlle, “Sonic Speculation: An Interview with Marina Rosenfeld” Berlin ArtLink, Nov 2020

Hentz, Celine, “Marina Rosenfeld: La musique horizontale,” interview, Musica: le magazine, 2020

Hope, Cat, interview, “Decibel: 2 Minutes from Home #9” (podcast), September, 2020

Naujocks, Carolin, “New Yorker Avantgarde beim Festival TIME:SPANS: After Experimental Music,” Deutschlandfunk Kultur, Nov 11, 2019

Cox, Reece, Marina Rosenfeld, ’Info Unltd’, Cashmere Radio, Berlin, Nov 4, 2019

Choate, Canada, “Dub Daze,” Artforum, June 19, 2019

Rong, An, “Aesthetic Circuit: The diagrammatic possibility in constructing a system,” StoryOfArtists, 2019

Campbell, Sam, Imaginary Landscapes, BBC documentary, the Vinyl Factory, London, 2017

URSSS TV, Production: Marina Rosenfeld, December 25, 2018

DeGroot, Jillian, “A Re-View Of Marina Rosenfeld's Sheer Frost Orchestra At SSSS!,” Cacophony Magazine, January 3, 2018

Büning, Eleonore, “Wie das wichtigste Festival für neue Musik wieder auf Kurs kommen will,” Neue Zürcher Zeitung, October 24, 2017 Kelly, Caleb, Gallery Sound [book], pp. 136-138, Bloomsbury, 2017

Eckles, Barbara, “Interview with Marina Rosenfeld,” SWR Radio, Germany, October 23, 2017

Induction Burners (podcast, 97 min.), “No More Bands: Interview with Marina Rosenfeld,” September 8, 2017

Dougherty, William, WKCR 88.9 Afternoon New Music, Interview, September 26, 2016

Shepherd, Tristan, “Marina Rosenfeld by Tristan Shepherd,” BOMB Magazine, Issue 137 Fall 2016

Cloutier, Mario, “Marina Rosenfeld: le jeu de la liberté,” La Presse Montreal, October 19, 2016

Julie Beth, “Marina Rosenfeld: the Politics of the Musical Situation,”

Power, Nina, “roygbiv&b at South London Gallery,” The Wire, September 2014

Adler, Noah, “Interview with Marina Rosenfeld,” Opening Ceremony, September 2014

Pollack, Barbara, “Sound Art Has Arrived,” ArtNews, September 2013

Untold, “Untold On...Marina Rosenfeld,” Self-Titled Magazine, December 2013

Fox, Dan, “The dub rhythms of artist and composer Marina Rosenfeld,” Frieze , May 2013

Cowley, Julian, “Marina Rosenfeld and Valerie Teveri/Angel Nevarrez, Signal to Noise Winter 2011

Neset, Anne Hilde, “Material Girl: Marina Rosenfeld”, The Wire #313, March 2010

Coline, Nina, “Marina Rosenfeld,” GLAMCULT Magazine #05, June 2009

Shaw, Steve, “Talkin’ ’bout Regeneration,” Timeout Amsterdam, June 2009

Kim-Cohen, Seth, In the Blink of An Ear: Toward a Non-Cochlear Sonic Art [book chapter], pp. 248-255, Continuum, London, 2009

Saltz, Jerry, “When Cool Turns Cold: Whitney Biennial 2008,” New York Magazine, March 24, 2008

Schweitzer, Vivien, “Contrasts, Eruptions and Clouds of Sound,” New York Times, November 26, 2008

Jothianandan, Shakthi, “Showstoppers: Marina Rosenfeld,” TimeOut New York, February 21-27, 2008

Cotter, Holland, “Art’s Economic Indicator: Whitney Biennial Review,” New York Times, March 8, 2008

Searle, Adrian, “Visual art: Nice building — shame about the art: This year's Whitney Biennial is upstaged by a thrilling new venue,” The Guardian (London), March 25, 2008

Manokhov, Yola, “Goings On About Town,” The New Yorker, March 31, 2008

Coburn, Tyler, Rhizome, “Marina Rosenfeld’s Teenage Lontano at the Whitney Biennial 2008,” Rhizone, March 7, 2008

Knafo, Robert, NewArtTV, video feature/interview, March 2008

Notations21: An Anthology, ed. Theresa Sauer Tisano, Mark Batty Publishers, New York, 2008

Jansson, Josefina, “Focus: Marina Rosenfeld”, Monitor/Radio P2 Sweden, 1-hour feature broadcast May 9, 2007

Cascella, Daniella, “Watch This Sound,” Contemporary Magazine #91, London, April 2007

Paulsson, Johanna, “Konsertrecensioner: Marina Rosenfeld,” Dagens Nyheter, April 2, 2007

Cox, Christoph, “Best of 2006”, The Wire #275, January, 2007

Gamba, Mario, “Suoni liquidi, sinuosi, misterici: Alla British Gallery Marina Rosenfeld alla console suona il suo ‘WHITE LINES’”, Il Manifesto, Nov. 5, 2006

Driver, Paul, The Independent (London), “Music: From one extreme to the other,” The Independent (London), June 4, 2006

Potter, Keith, Reviews: MUSICIRCUS Tate Modern, The Independent June 1, 2006

Emma Hedditch and Lina Dzerovic and Irene Revell, “Her Noise” (catalogue), 2006

Bianchi, Stefano I., ‘La via personalla alla manipolazione di vinili e ‘orchestre’: l’universo sonoro di Marina Rosenfeld,’ Blow Up Magazine, #97, June, 2006

Sporndli, Markus, “Ein Zuhause fur den Zeitgeist”, Der Bund, November 16, 2006

Bianchi, Stefano I., Review: Marina Rosenfeld’s ‘joy of fear’, Blow Up, #95, April, 2006

Grey, Louise, “Emotional Orchestra: London Tate Modern,” The Wire, Issue 261, November, 2005

Grady, Spencer, “Review: Marina Rosenfeld’s joy of fear,” Dusted Magazine, December 13, 2005

Cassidy, Laura, “Surround Sound,” Seattle Weekly, Aug. 30-Sept. 6, 2005

Sulcas, Roslyn, “A Work Covering Two Stages, With Clouds as a Backdrop,” The New York Times, September 21, 2005

Lippens, Nate “Correspondance Course,” The Stranger, Seattle, Sep. 2-5, 2005

Pareles, Jon, “Five Concerts All at Once, And It's Quiet,” The New York Times, April 24, 2004

Anderson, Jack, “Familiar Steps With Hints of the Strange,” The New York Times, December 18, 2004

Genocchio, Benjamin, New York Times, “ART PREVIEWS; As Fall Beckons, Women Rule,” September 5, 2004

Marclay, Christian, “Music: Best of 2003”, Art Forum, December, 2003

The Wire, “Best Albums of 2003”, December, 2003

Kozinn, Allan, The New York Times, “Players and Non-players in Droopy Sleeves,” Dec. 15, 2003

Maerz, Melissa, Village Voice “Marina Rosenfeld: Branca Busting,” January 1-7, 2003

Schepper, Ron, Grooves #11, New Jersey, “Interview with Marina Rosenfeld,” August, 2003

Gottstein, Bjorn, interview, WDR Radio 3, Cologne, Germany, August 27, 2003

Chasin, Noah, TimeOut New York “Sonic Garden,” November 21-28, 2002

Walters, John L., The Guardian (London), “Review: Music on the edge: King of spin: A DJ who plays without records? These days the turntable is an instrument all of its own,” May 10, 2002

Harley, Kevin, The Independent (London), “Going Out: Music—Turntable Hell,” May 11, 2002

Gladstone, Valerie, New York Times: Arts & Leisure, “Sculpture of Sound In a Downtown Space,” October 13, , 2002

Gottstein, Björn, Die Tageszeitung (Germany), “Schleifende Nadeln auf Azetat: Die zweite Aura: Die Donaueschinger Tage für Neue Musik standen diesmal auch im Zeichen des Turntablism,” October 22, 2002

Ratliff,, Ben New York Times, “Spontaneous Abstraction Inspires Younger Players,” August 22, 2002

Novak, David, WCKR Radio, “Afternoon New Music” [interview], May 28, 2002

Cascella, Daniela, Blow Up, “MR: Turntablismi, Scratches & Chitarre,” Rome, Italy, May, 2002

Coles, Mark BBC Radio 4, “Today Programme” [interview], May, 2002

Cox, Christoph, “MR: Gender war at 33 and a third.” The Wire Magazine, November, 2001

Powers, Ann, “MR: Note by Note, A Manicure”, New York Times, April 28, 2001

Tung, Jennifer, “Sounds of Midtown”, New York Times, April 29, 2001

Schmidt, Jason, “Works in Progress: MR”, V Magazine, Spring, 2001

Gershman, Gil, “MR: “One Good Turn Deserves Another”, Signal to Noise, #21, Spring, 2001

Scherr, Appolinaire, “MR: Bottle of the Bands”, Elle Magazine, April, 2001

Cox, Christoph, “Bitstreams at NYC's Whitney Museum”, The Wire, June, 2001

Scheib, Christian, “MR”, SKUG Journal für Musik #42, April, 2000

Scheib, Christian, “disconcertingly beautiful: MR”, Positionnen #43, May, 2000

Klopotek, Felix, “MR,” Spex Magazine, September, 1999

Baker, Kenneth, “Sound Dances at Yerba Buena,” San Francisco Chronicle, 1999

Scheib, Christian, interview, Ö1 radio, Austria, November, 1999

Stone, Carl, interview, KPFA radio, San Francisco, March, 1999

Ken Johnson, “Art in Review: MR,” New York Times, 1998

Swed, Mark, “Resistance Opens Ears to New Music,” Los Angeles Times, 1998

Schwendener, Martha, TimeOut New York, 1998

Hoban, Phoebe, “Music Only an Artist Can Love?” New York Times, 1997

Greene, David, “Hot Coffee,” Frieze, 1997

Saltz, Jerry, “Regular, No Sugar,” TimeOut New York, 1997

Schjeldahl, Peter, “La-la Band,” Village Voice, 1997