MARINA ROSENFELD – CV download pdf
SOLO EXHIBITIONS
2023
The Agonists, Museum Art.Plus with Donaueschinger Musiktage, Donaueschingen
Undreaming the Dream House, Radicants International, Paris
2021
Partials, Miguel Abreu Gallery, New York
WHITE LINES, Migros Museum for Gegenwartskunst with Sonic Matter Festival, Zurich
We’ll start a fire, Kunsthaus Baselland, Basel
2019
Music Stands, The Artists Institute, New York
2017
Deathstar, Portikus, Frankfurt
After Notation, Bard Center for Curatorial Studies, Hessel Museum, Annandale
2016
Teenage Lontano, Museum of Contemporary Art Cleveland, Cleveland
2002
anti-Warhol Movement, Diapason Gallery, New York
1999
Waltz, Plattform für Zeitgenössische Kunst, Luzern
the heavens & madscene, Curt Marcus Gallery, New York
1998
theforestthegardenthesea, Curt Marcus Gallery, New York
GROUP EXHIBITIONS
2024
15th Gwangju Biennale: Pansori, A Soundtrack for the 21st Century, curated by Nicolas Bourriaud, Gwangju, S. Korea
Seeing Sound, Pratt Manhattan Gallery, curated by Barbara London, New York
2023
Biennale Son/Biennial of Sound, Sion, Switzerland
La Colère Divine, Centre Européen d'Actions Artistiques Contemporaines, Strasbourg
Notes on the Index in Accelerated Digital Times, curated by Noam Segal, Pompeii Commitment
2021
Hotel Le Lièvre #5: Marina Rosenfeld and Eileen Quinlan, Campoli Presti Gallery, Paris
Seeing Sound, Kadist Foundation, San Francisco, curated by Barbara London
2020
Aurora Biennial, public project “Ssalute” curated by Noam Segal, Dallas
2019
Lifeforms: How long is an echo?, Haus der Kultur der Welt, Berlin
2017
‘Every Time A Ear Di Soun’: Documenta14 radio program, curated by Adam Szymczyk and Bonaventure Soh Bejeng Ndikung
2016
Biennale de Montreal, Museum of Contemporary Art Montreal, curated by Philippe Pirotte, Montreal
Whatever Moves Between Us Also Moves the World in General, Murray Guy Gallery, New York
2015
Aftersound, Miller Gallery at Carnegie Mellon University, Pittsburgh
Her Noise, Tate Modern Museum, London
2014
Sexxxing Sound: Aural Archives and Feminist Scores, James Gallery, CUNY Graduate Center, New York
2013
Art Is: New Art, 2013, Arnold Schoenberg Center, Vienna
2011
Spatialized, q-o2 Gallery, Brussels
PERFORMA Biennial of Performance, “The Ginger Island Project,” curated by Liutaurus Psibilskis, Red Egg nightclub, New York
2010
No Longer Empty at the Liverpool Biennial, Liverpool
The Island, Flagler Memorial Island, curated by Shamim Momin, Miami
Ensemble Zwischentöne & die 35 Megaphones des Orchester für direkte Demokratie, Berlin
2009
Teenage Lontano, Stedelijk Museum and The Holland Festival (co-production), Amsterdam
PERFORMA Biennial of Performance, ‘P.A.’, Park Avenue Armory, New York
Festival MAPA, Figueras and Pontos, Spain
2008
Whitney Biennial of American Art, ‘Teenage Lontano’ at Park Avenue Armory, New York
2007
Between Thought and Sound: Graphic Notation in Contemporary Music,The Kitchen, New York
2006
Her Noise Archive, Bergen Kunsthall, Bergen
2005
In Resonance, Henry Gallery at the University of Washington, Seattle
2004
Music/Video, Bronx Museum, curated by Lydia Yee, New York
2002
Music/Video, Strasbourg Musée d'Art Moderne et Contemporain, curated by Lydia Yee, Strasbourg
Sonic Garden: Laurie Anderson, David Byrne, Marina Rosenfeld & Ben Rubin, Creative Time/World Financial Center, New York
Whitney Biennial of American Art, Whitney Museum, New York
Rock My World: Recent Art and the Memory of Rock 'n' Roll, CCAC Institute, curated by Ralph Rugoff, San Francisco
2001
Bitstreams, Whitney Museum of American Art, New York
1999
Sounds Like Art: Matt Heckert, Marina Rosenfeld, Trimpin, Yerba Buena Center for the Arts, San Francisco
The Invisible Touch, Kunstraum Innsbruck, Innsbruck
1998
Superfreaks—Post Pop and the New Generation, part II: Odyssey, Greene Naftali Gallery, New York
1997
Hot Coffee, Artists Space, curated by Tom Lawson, New York
PERFORMANCES
2024
µ (live version), EMPAC Media and Performing Arts Center at RPI, Rensselaer NY
Free Exercise, Festival Nueva Ópera Buenos Aires, CheLA arts center, Buenos Aires
2023
Deathstar (duration), with pianist Marino Formenti, Sion (see Biennale Son above)
Teenage Lontano, Muziekcentrum De Bijloke Gent, Ghent
Marina Rosenfeld on Marian Zazeela, “Artists on Artists” series talk and performance, with Jessika Kenney, Dia Foundation, New York
My Body & A Lesser Privacy, with Ensemble Contrechamps, Musica, Strasbourg and Le Bâti Festival, Geneva
Undreaming the Dream House, Sonic Protest Festival, Paris
Greatest Hits, Sara’s Worldwide, New York
2022
A Lesser Privacy, with Ensemble Contrechamps, Batiment des forces motrices, Geneva 2021
Sheer Frost Orchestra, with Ensemble Vide, Geneva
aABCb, Tectonics Festival, with Marino Formenti, Onassis Center, Athens
2020
Self-Portrait/Self-Portrait with Material, Qubit, Governors Island, New York
Teenage Lontano, Musica Festival, Strasbourg
Leaving, Skanumezs Festival, with Ben Vida, Riga
2019
Deathstar (Reduction) and My Body, Time:Spans Festival, DiMenna Center, New York
GREATEST HITS in “Judson Dance Theater, A Collective Speculation”, MoMA/PS1, New York
Participation in group realization of “Rainforest V: ‘Forest Speech’, Museum of Modern Art, New York
Sheer Frost Orchestra, Dark Mofo Festival, Tasmania
2018
Standards Studio, Milan
Galleria Fritelli Arte Contemporanea, Florence
“After Experimental Music,” Cornell University, with George Lewis, Ithaca
Présences Electroniques, with Ben Vida, Radio France, Paris
Piano & Work (dominos), with Heloisa Amaral, Only Connect, Oslo
GREATEST HITS, Qubit, New York
2017
Deathstar Orchestration, Commission of Ensemble MusikFabrik, Donaueschinger Musiktage, Donaueschingen
2016
GREATEST HITS: A Reproduction, in “Moholy-Nagy: Optical Sound,” Guggenheim Museum, New York
New Ear Festival, Fridman Gallery, New York
MADAEIRADiG Festival, Madeira, Portugal
Felix Finds a Way, Light Industry, New York
Manners/Duck Soup, in several parts, with restored memory of interruptions and rehearsal, with Josef Strau, House of Gaga, Mexico City
After 9 Evenings, Issue Project Room, New York,
2015
P.A./HARD LOVE, The Kitchen, New York, with Warrior Queen and Okkyung Lee
Auditorium, Knockdown Center, New York
VIA Festival, Pittsburgh
Vancouver New Music Festival, Vancouver
ALLGOLD, PS1/MoMA, New York
2014
roygbiv&b (version for South London), South London Gallery, London
Step and Repeat, Geffen Contemporary MOCA, Los Angeles
Wesleyan University, Middletown
2013
Guide de la vie associative, Tuned City Brussels, Brussels
Swedish Energies, Issue Project Room, New York
2012
HARD LOVE, SPOR Festival, Aarhus
Teenage Lontano, Sonica Festival & City of Women (co-production), Ljubljana
Listening Room, Discrepant Origins/Acousmatics and Ill Perceptions, The Studio Museum, New York
Voices and Echoes: Marina Rosenfeld & Otomo Yoshihide, Abrons Art Center, New York
2011
roygbiv&b, Museum of Modern Art, New York
Rainbow Gathering, Serralves Museum & Foundation, Porto
Teenage Lontano, Totally Huge New Music Festival, Perth
2010
Marion Spore, New York
Cannons, Faster Than Sound, Aldeburgh Music, Suffolk
Teenage Lontano, Ultima Festival, Oslo
Festival: Christian Marclay, Whitney Museum, New York
2009
T.I.T.O. (International Turntable Orchestra), Akademie der Kunst, Berlin
The Sheer Frost Orchestra, Cleveland Museum of Art, Cleveland
fervent announcement, Festival MAPA, Figueras and Pontos, Catalonia
Warmup, PS1 Contemporary Art Center, New York,
Ensemble, Institute of Contemporary Art, Philadelphia (curated by Christian Marclay)
2007
Ad Libitum Festival, Concert Studio of Polish Radio, Warsaw
2006
Who’s in Control?, Eyebeam, New York,
Moving Patterns: Electronic Music and Beyond, Austrian Cultural Forum, New York
Sheer Frost Orchestra, Tate Modern Museum, 2006, London
WHITE LINES, The British School at Rome
2005
WHITE LINES, Wien Modern Festival, Vienna
Guest performance with 'Text of Light’ ensemble,The Kitchen, New York; Walker Art Center, Minneapolis; Empty Bottle, Chicago
2003
Emotional Orchestra, Deitch Projects, New York
Mutek Festival, Montréal
2002
PHONOtaktik, Austrian Cultural Forum, New York
Turntable Hell, Queen Elizabeth Hall, London; Newcastle Arts Center; Band on the Wall, Manchester; a.o.
Donaueschinger Musiktage, Donaueschingen, with Ikue Mori
Microfestival—Women in Experimental Music, Hampshire College, with Kim Gordon & Ikue Mori, Amherst
2001
Goodbye Twentieth Century: guest performance with Sonic Youth, Shedhalle, Rote Fabrik, Zurich
Sheer Frost Orchestra, Whitney Museum of American Art at Philip Morris, New York
2000
Wien/Berlin: Unter Strom: Podewil, Berlin
Ars Electronica, Linz
1998
Fragment Opera, Wires Festival, Los Angeles Contemporary Exhibitions, Los Angeles
1997
Sheer Frost Orchestra, Greene Naftali Gallery, New York
1996
Sheer Frost Orchestra, Mills College, Oakland
Sheer Frost Orchestra, Los Angeles Contemporary Exhibitions, Los Angeles
DISCOGRAPHY
GREATEST HITS, 2023, Info Ultd., Berlin, with Greg Fox and Elie Keszler, drums (LP)
Leaving, 2021, Marina Rosenfeld and Ben Vida, 901 Editions, Rome (CD)
Teenage Lontano, 2021, Room40, Brisbane (LP)
Index, 2021, Room40, Brisbane (CD & book)
Deathstar, 2020, Shelter Press, Paris. Cover art by Eileen Quinlan. (2 x LP)
Vertice, 2020, Fridman Gallery. Cover art by Monika Baer. (LP)
theforestthegardenthesea, 2020 reissue by Room40, Brisbane (digital)
joy of fear, 2020, reissue by Room40, Brisbane (digital)
Say Anything, Marina Rosenfeld and Ben Vida, 2018, iDEAL Recordings, Göteborg. Cover art by Eileen Quinlan. (CD)
P.A./HARD LOVE, 2013, Room40, Brisbane, with Okkyung Lee, cello, and Annette Henry a.k.a. Warrior Queen. (LP)
Sour Mash, Marina Rosenfeld and George Lewis, 2010, Innova, Minneapolis (2 x LP)
Plastic Materials 2009, Room40, Brisbane (CD)
joy of fear, 2006, Softl, Cologne (CD)
DJTrio: Christian Marclay, Erik M, MR and Toshio Kajiawara, 2003, Asphodel, San Francisco (CD)
the sheer frost orchestra: hop, drop, drone, slide, scratch and A for anything, 2001, Charhizma, Vienna (CD)
a water’s wake, with Tim Barnes and Toshio Kajiwara, 2001, Quakebasket, NY, (CD)
theforestthegardenthesea: music from fragment opera, 1999, Charhizma, Vienna (CD)
Contributions to: Mazen Kerbaj, Sampler/Sampled, 2022, Morphine Records, Berlin; Ken Vandermark, Momentum 1: The Stone, 2016, Audiographic Records, NY; Music for Merce, New World Records, NY, 2011
COLLABORATIONS
2024 Amy Sillman (painter): sound scores for four video editorials, “Spring: Abstraction as Ruin”, “Summer: Abstraction as Apprehension” published by the Washington Post (Fall and Winter forthcoming). Exhibitions: “Amy Sillman: Oh Clock!” Kunsthalle Bern; “The Atomic Age,” Musee d’Art Moderne de Paris
2017-18 Maria Hassabi (choreographer): STAGING, original score/sound installation: “Merce Cunningham: Common Time,” Walker Art Center, Minneapolis; Aarhus Festival; Documenta14, Kassel; Moderna Museet Malmö; Kunstsammlung Nordrhein-Westfalen, Dusseldorf; Centre Pompidou; Point Centre for Contemporary Art, Nicosia
2017 Maria Hassabi (choreographer): STAGED?, original score/sound installation: The Kitchen, New York; Onassis Cultural Center, Athens; Institute of Contemporary Art, Boston; Wanås Konst Center for Art and Learning, Sweden; Sala Maggiore Ex Gam, Bologna; La Raffinerie, Brussels; Barnes Foundation, Philadelphia; Actoral Foundation, Marseille
2016 Maria Hassabi (choreographer): PLASTIC, original score/sound installation, Museum of Modern Art, New York
2015 Josef Strau and Stephan Tcherepnin: Dress rehearsal, virginity, manners (sous les Dominos verts: The metaphysical Store’s continuation in Josef Strau, A Turtle Dreaming, Secession, Vienna
2014 Ralph Lemon (choreographer): Scaffold Room, original score/live performance: Walker Art Center, Minneapolis; Fisher Center at Bard College; The Kitchen, New York
2004-08 Merce Cunningham Dance Company: live music for EVENTS: Joyce Theater; Park Avenue Armory; Dia/Beacon; Westbeth, New York
LECTURES AND CONFERENCES
2024 15th Gwangju Biennale Symposium: Echoes of Tomorrow: Soundscapes in the Age of Advanced Computing, Gwangju, S. Korea, lecture/performance with Louis Chude-Soke
Basel Hochschule für Musik, Artist lecture
Pratt Manhattan Gallery, “In Conversation: Sonic Connections,” Moderated by Barbara London
Winter School, AtlanticX/Fundación Williams, Buenos Aires, Artist lecture
2023 Radicants, Paris, with Bastien Gallet
Université Paris 8, “Marina Rosenfeld: Nullité, flou et trace: la musique en dehors de la performance”
Cornell University, Visiting Artist lecture
2022 Milton Avery School of the Arts, Bard MFA program, Visiting Artist lecture
2021 Miguel Abreu Gallery, with David Joselit
Simon Fraser University, Visiting Artist lecture
Kadist Foundation, “Ketchup Session” with Philippe Pirotte and Samson Young, 2021
2020 Dallas Aurora Biennial, online dialogue with curator, Noam Segal
Yarn/Wire “Feedback Sessions: Marina Rosenfeld with interviewer Hong Kai Wang”
2019 Haus der Kulturen der Welt, Berlin, “Life Forms: How Long is an Echo?” with Louis Chude-Sokei and Melody Jue
The Kitchen L.A.B., “Representation,” with Lydia Goehr and Karen Cytter
The Artist’s Institute, “On Radical Receptivity,” with Fumi Okiji and Bill Dietz
Watermill Art Center, THAWfest, Artist Lecture and Performance
2018 Haus der Kulturen der Welt, Berlin, artist lecture, “Der Ohrenmensch: Platform for listening knowledge”
School of the Art Institute of Chicago, Visiting Artist Lecture
Darmstadt Internationales Musikinstitut “Defragmentation: Convention on Curating Contemporary Music/Gender Relations in New Music,” Artist lecture
Cornell University, “After Experimental Music,” Artist Lecture and Performance
Nuova Accademia di Belle Arti (NABA), Artist lecture, Milan
2017 Columbia University, Graduate Program in Art History, Artist Lecture
University of Toronto, Jackman Humanities Institute, “Time, Rhythm and Space,” Artist lecture
NYU, School of Arts and Sciences, Artist Lecture
Goethe Institute Chicago, Second Annual Sexxxing Sound Conference
2016 New Museum, Panel: “Between Dog and Wolf: On Sight and Sound in Space”
Park Avenue Armory, “Curatorial Conversations,” with curator Humberto Moro
New School for Social Research, Graduate Program in Design, Ethnography and Social Thought: “Surface Species: Playback and the Object”
2015 Center for Brooklyn College, Composers' Forum, Artist Lecture
Carnegie Mellon University, School of Art and Lab for Creative Inquiry, Artist Lecture
Vanderbilt University, School of Art, Artist Lecture
2014 University of California Los Angeles, California, School of Art, Artist Lecture
University of California Santa Barbara, Department of Music, Artist Lecture
Rutgers University, School of Art, Artist Lecture
Wesleyan University, Department of Music, Artist Lecture
Brown University, Dept. of Modern Culture and Media, Conference: “Sonic Focus 3”
2013 CUNY Center for the Humanities, Panel: “The Status of Sound: Writing Histories of the Sonic”
2012 Yale University, School of Art, Sculpture Program, Visiting Artist Lecture
PEW Center for Arts and Heritage, Philadelphia: Conference “Electronic Music Today”
Columbia University, Graduate Program in Music Composition, Artist Lecture
2011 TURA Festival of New Music, Artist-in-Residence and Keynote Speaker, Perth, Australia
Queensland University, Department of Music, Brisbane, Australia, Artist Lecture
MIT, Visiting Artist & Panelist, "Intelligent Life: Maryanne Amacher”
2010 Austrian Cultural Forum, New York, Moving Sounds Festival, Symposium Panelist
University of Colorado at Boulder, Artist Lecture
2009 Parsons School of Art, Artist Lecture
RPI, Department of Electronic Arts, Artist Lecture
Columbia University Center for Jazz Studies, Symposium, ‘Improvisation and Everyday Life’ with George Lewis, Arthur Jaffa and Amy Sillman
HONORS AND AWARDS
2024 Alpert Award in Visual Art
EMPAC, Rensselaer Polytechnic Institute, Artist Residency and Commission
La Becque Residence d’Artistes, Switzerland, Artist in Residence
Emily Harvey Foundation, Rome, Artist in Residence
Yamaha Artists Services, Appointed ‘Yamaha Artist’
2022 Ensemble Contrechamps, Commission
2021 Foundation for Contemporary Arts, Emergency Grant
2020 Experiments in Art and Technology at Bell Labs Nokia, Artist in Residence
2019 Watermill Foundation, Inga Maren Otto Fellowship
2017 Ensemble MusikFabrik, Commission
2011 Foundation for Contemporary Arts, Grants to Artists Award
2009 New York State Council for the Arts, Finishing Funds Grant
2008 Park Avenue Armory, Artist in Residence
Dia: Beacon, Artist Residency with Merce Cunningham Company
Whitney Museum, Youth Insights Artist Residency
2004 New York Foundation for the Arts, Composer Fellowship
2002 Harvestworks, New York, Van Lier Fellowship
2001 STEIM, Amsterdam, Artist Residency
1999 Yerba Buena Center for the Arts, San Francisco, Wattis Artist Residency
PUBLICATIONS
“The atmosphere of pleasure was more precarious. . .”, forthcoming in SPECTRES V, Shelter Press, ed. François Bonnet, Paris, 2025
“Conversation: Meredith Monk and Marina Rosenfeld,” Frieze, January 2024
Listening To Artists, Kunsthaus Baselland, ed. Ines Goldbach, catalogue, 2022
Index, monograph accompanying CD, Index, Room40, 2021
“Inner Sleeve: On Joan Jonas’s Vertical Roll,” The Wire Magazine, December 2021
roygbiv&b, monograph, with essay by Benjamin Piekut, Run/Off Press, New York, 2018
“A Few Notes on Production and Playback,” Audio Culture: Readings in Modern Music, 2nd Ed, ed. Christoph Cox, Continuum, 2017
“The Recording Angels,” roundtable discussion with Marina Rosenfeld, Christoph Cox, Pauline Oliveros, Jace Clayton, and David Grubbs, The New Yorker, April 2014
“Mixtape,” in Paper Monument: Draw It With Your Eyes Closed, 2012
“Score” in Paralellogram no. 27, 2012
“Teenage Lontano” in Interval(le)s Journal of Poetics, University of Liège, ed. Jon Cotner, 2009
“Glitch” in Arcana 2: Musicians on Music, edited by John Zorn, Granary Books, New York, 2007
“Sound-Art Roundtable,” Artforum, April 19, 2005-May 4, 2005
“Top Ten list: Music: Best of 2004,” Artforum, December, 2004
“The Sheer Frost Orchestra: A Nail Polish Bottle, A Guitar String and the Birth of an Orchestra,” Leonardo Music Journal, vol. 12, MIT Press, 2002
BIBLIOGRAPHY
Adams, Katherine, ”Marina Rosenfeld’s µ,” catalogue essay, EMPAC, forthcoming Nov 2024
Wilson, Samuel J., “Neoliberal Reason, Contemporary Music, and Proximal Critique,” Twentieth Century Music, August 2024
Teurer, Sarah Johanna, “Music in the Museum: the artist and composer Marina Rosenfeld speaks with Sarah Johanna Teurer on immediacy, traces and shifts in the experience of music and museum,” Positionnen issue 139, May, 2024
Bécourt, Julien, “When Sound Becomes Form/ Sound, Tout un Médium,” Artpress, issue 522, May 2024
Dysers, Christine, “‘Wild Inside Itself’: Recurrence, Rootlessness and Resistance in Marina Rosenfeld’s Deathstar Series,” pre-publication (submitted to Twenieth Century Music), 2024
Bailey, Bradford, “Marina Rosenfeld’s Greatest Hits,” SoundOhm, January 2024
Gallet, Bastien, “Marina Rosenfeld: « On conçoit une œuvre comme une série de négociations », AOC Media Magazine, September, 2023
Younge, Bethany, “Body as Music: Mauricio Kagel’s Repertoire from Staatstheater and Marina Rosenfeld’s My Body,” Columbia University Dissertation, Doctorate in Philosophy, 2023
Gallet, Bastien, “La Pluralité du son: The Sheer Frost Orchestre de Marina Rosenfeld,” Hémisphere Son, May 2023
Smart, Jennifer, “Object-Oriented Sociality: Marina Rosenfeld’s Sound Installation Art,” American Music Review, 2022
Coles, Dominic, “Leave the Needle on the Jammed Wavelength,” Bellona Magazine, 2022
London, Barbara, “Barbara London Calling: Marina Rosenfeld”, Season 1, Episode 11, podcast, December 2020
Schwartz, Astrid, “Zeit-Ton magazine: Marina Rosenfeld,” radio broadcast 56 minutes, 22 April 2020
London, Barbara, “Listen to This! Sound Art Reflections,” Frieze Magazine, Fall 2020
Younge Bethany, “An Analysis of Marina Rosenfeld’s My Body” (lecture), Columbia University Dept. of Music, December 2020
Zhang, Lisa Yin, “Marina Rosenfeld at Miguel Abreu Gallery,” TheGuide, October, 2021
Rosenfeld, Marina, “Watch: Marina Rosenfeld’s Teenage Lontano,” The Wire Magazine, August 2021
Fischer, Tobias, 15 Questions with Marina Rosenfeld, 15Questions, July 2021
Torres, Roland, “Marina Rosenfeld: Teenage Lontano,” SilenceAndSound.com, October 2021
Cowley, Julian, “Index and Teenage Lontano: Review,” The Wire, October 2021
Okiji, Fumi, “Lullaby for Those Who Should Have Come of Age in the 1990s: On the Reuissue of Marina Rosenfeld’s theforestthegardenthesea”, Flash Art, September 2020
London, Barbara, “Listen to this! Sound Art Reflections,” Flash Art, September, 2020
BuAbbud, Noëlle, “Sonic Speculation: An Interview with Marina Rosenfeld” Berlin ArtLink, Nov 2020
Hentz, Celine, “Marina Rosenfeld: La musique horizontale,” interview, Musica: le magazine, 2020
Hope, Cat, interview, “Decibel: 2 Minutes from Home #9” (podcast), September, 2020
Naujocks, Carolin, “New Yorker Avantgarde beim Festival TIME:SPANS: After Experimental Music,” Deutschlandfunk Kultur, Nov 11, 2019
Cox, Reece, Marina Rosenfeld, ’Info Unltd’, Cashmere Radio, Berlin, Nov 4, 2019
Choate, Canada, “Dub Daze,” Artforum, June 19, 2019
Rong, An, “Aesthetic Circuit: The diagrammatic possibility in constructing a system,” StoryOfArtists, 2019
Campbell, Sam, Imaginary Landscapes, BBC documentary, the Vinyl Factory, London, 2017
URSSS TV, Production: Marina Rosenfeld, December 25, 2018
DeGroot, Jillian, “A Re-View Of Marina Rosenfeld's Sheer Frost Orchestra At SSSS!,” Cacophony Magazine, January 3, 2018
Büning, Eleonore, “Wie das wichtigste Festival für neue Musik wieder auf Kurs kommen will,” Neue Zürcher Zeitung, October 24, 2017 Kelly, Caleb, Gallery Sound [book], pp. 136-138, Bloomsbury, 2017
Eckles, Barbara, “Interview with Marina Rosenfeld,” SWR Radio, Germany, October 23, 2017
Induction Burners (podcast, 97 min.), “No More Bands: Interview with Marina Rosenfeld,” September 8, 2017
Dougherty, William, WKCR 88.9 Afternoon New Music, Interview, September 26, 2016
Shepherd, Tristan, “Marina Rosenfeld by Tristan Shepherd,” BOMB Magazine, Issue 137 Fall 2016
Cloutier, Mario, “Marina Rosenfeld: le jeu de la liberté,” La Presse Montreal, October 19, 2016
Julie Beth, “Marina Rosenfeld: the Politics of the Musical Situation,”
Power, Nina, “roygbiv&b at South London Gallery,” The Wire, September 2014
Adler, Noah, “Interview with Marina Rosenfeld,” Opening Ceremony, September 2014
Pollack, Barbara, “Sound Art Has Arrived,” ArtNews, September 2013
Untold, “Untold On...Marina Rosenfeld,” Self-Titled Magazine, December 2013
Fox, Dan, “The dub rhythms of artist and composer Marina Rosenfeld,” Frieze , May 2013
Cowley, Julian, “Marina Rosenfeld and Valerie Teveri/Angel Nevarrez, Signal to Noise Winter 2011
Neset, Anne Hilde, “Material Girl: Marina Rosenfeld”, The Wire #313, March 2010
Coline, Nina, “Marina Rosenfeld,” GLAMCULT Magazine #05, June 2009
Shaw, Steve, “Talkin’ ’bout Regeneration,” Timeout Amsterdam, June 2009
Kim-Cohen, Seth, In the Blink of An Ear: Toward a Non-Cochlear Sonic Art [book chapter], pp. 248-255, Continuum, London, 2009
Saltz, Jerry, “When Cool Turns Cold: Whitney Biennial 2008,” New York Magazine, March 24, 2008
Schweitzer, Vivien, “Contrasts, Eruptions and Clouds of Sound,” New York Times, November 26, 2008
Jothianandan, Shakthi, “Showstoppers: Marina Rosenfeld,” TimeOut New York, February 21-27, 2008
Cotter, Holland, “Art’s Economic Indicator: Whitney Biennial Review,” New York Times, March 8, 2008
Searle, Adrian, “Visual art: Nice building — shame about the art: This year's Whitney Biennial is upstaged by a thrilling new venue,” The Guardian (London), March 25, 2008
Manokhov, Yola, “Goings On About Town,” The New Yorker, March 31, 2008
Coburn, Tyler, Rhizome, “Marina Rosenfeld’s Teenage Lontano at the Whitney Biennial 2008,” Rhizone, March 7, 2008
Knafo, Robert, NewArtTV, video feature/interview, March 2008
Notations21: An Anthology, ed. Theresa Sauer Tisano, Mark Batty Publishers, New York, 2008
Jansson, Josefina, “Focus: Marina Rosenfeld”, Monitor/Radio P2 Sweden, 1-hour feature broadcast May 9, 2007
Cascella, Daniella, “Watch This Sound,” Contemporary Magazine #91, London, April 2007
Paulsson, Johanna, “Konsertrecensioner: Marina Rosenfeld,” Dagens Nyheter, April 2, 2007
Cox, Christoph, “Best of 2006”, The Wire #275, January, 2007
Gamba, Mario, “Suoni liquidi, sinuosi, misterici: Alla British Gallery Marina Rosenfeld alla console suona il suo ‘WHITE LINES’”, Il Manifesto, Nov. 5, 2006
Driver, Paul, The Independent (London), “Music: From one extreme to the other,” The Independent (London), June 4, 2006
Potter, Keith, Reviews: MUSICIRCUS Tate Modern, The Independent June 1, 2006
Emma Hedditch and Lina Dzerovic and Irene Revell, “Her Noise” (catalogue), 2006
Bianchi, Stefano I., ‘La via personalla alla manipolazione di vinili e ‘orchestre’: l’universo sonoro di Marina Rosenfeld,’ Blow Up Magazine, #97, June, 2006
Sporndli, Markus, “Ein Zuhause fur den Zeitgeist”, Der Bund, November 16, 2006
Bianchi, Stefano I., Review: Marina Rosenfeld’s ‘joy of fear’, Blow Up, #95, April, 2006
Grey, Louise, “Emotional Orchestra: London Tate Modern,” The Wire, Issue 261, November, 2005
Grady, Spencer, “Review: Marina Rosenfeld’s joy of fear,” Dusted Magazine, December 13, 2005
Cassidy, Laura, “Surround Sound,” Seattle Weekly, Aug. 30-Sept. 6, 2005
Sulcas, Roslyn, “A Work Covering Two Stages, With Clouds as a Backdrop,” The New York Times, September 21, 2005
Lippens, Nate “Correspondance Course,” The Stranger, Seattle, Sep. 2-5, 2005
Pareles, Jon, “Five Concerts All at Once, And It's Quiet,” The New York Times, April 24, 2004
Anderson, Jack, “Familiar Steps With Hints of the Strange,” The New York Times, December 18, 2004
Genocchio, Benjamin, New York Times, “ART PREVIEWS; As Fall Beckons, Women Rule,” September 5, 2004
Marclay, Christian, “Music: Best of 2003”, Art Forum, December, 2003
The Wire, “Best Albums of 2003”, December, 2003
Kozinn, Allan, The New York Times, “Players and Non-players in Droopy Sleeves,” Dec. 15, 2003
Maerz, Melissa, Village Voice “Marina Rosenfeld: Branca Busting,” January 1-7, 2003
Schepper, Ron, Grooves #11, New Jersey, “Interview with Marina Rosenfeld,” August, 2003
Gottstein, Bjorn, interview, WDR Radio 3, Cologne, Germany, August 27, 2003
Chasin, Noah, TimeOut New York “Sonic Garden,” November 21-28, 2002
Walters, John L., The Guardian (London), “Review: Music on the edge: King of spin: A DJ who plays without records? These days the turntable is an instrument all of its own,” May 10, 2002
Harley, Kevin, The Independent (London), “Going Out: Music—Turntable Hell,” May 11, 2002
Gladstone, Valerie, New York Times: Arts & Leisure, “Sculpture of Sound In a Downtown Space,” October 13, , 2002
Gottstein, Björn, Die Tageszeitung (Germany), “Schleifende Nadeln auf Azetat: Die zweite Aura: Die Donaueschinger Tage für Neue Musik standen diesmal auch im Zeichen des Turntablism,” October 22, 2002
Ratliff,, Ben New York Times, “Spontaneous Abstraction Inspires Younger Players,” August 22, 2002
Novak, David, WCKR Radio, “Afternoon New Music” [interview], May 28, 2002
Cascella, Daniela, Blow Up, “MR: Turntablismi, Scratches & Chitarre,” Rome, Italy, May, 2002
Coles, Mark BBC Radio 4, “Today Programme” [interview], May, 2002
Cox, Christoph, “MR: Gender war at 33 and a third.” The Wire Magazine, November, 2001
Powers, Ann, “MR: Note by Note, A Manicure”, New York Times, April 28, 2001
Tung, Jennifer, “Sounds of Midtown”, New York Times, April 29, 2001
Schmidt, Jason, “Works in Progress: MR”, V Magazine, Spring, 2001
Gershman, Gil, “MR: “One Good Turn Deserves Another”, Signal to Noise, #21, Spring, 2001
Scherr, Appolinaire, “MR: Bottle of the Bands”, Elle Magazine, April, 2001
Cox, Christoph, “Bitstreams at NYC's Whitney Museum”, The Wire, June, 2001
Scheib, Christian, “MR”, SKUG Journal für Musik #42, April, 2000
Scheib, Christian, “disconcertingly beautiful: MR”, Positionnen #43, May, 2000
Klopotek, Felix, “MR,” Spex Magazine, September, 1999
Baker, Kenneth, “Sound Dances at Yerba Buena,” San Francisco Chronicle, 1999
Scheib, Christian, interview, Ö1 radio, Austria, November, 1999
Stone, Carl, interview, KPFA radio, San Francisco, March, 1999
Ken Johnson, “Art in Review: MR,” New York Times, 1998
Swed, Mark, “Resistance Opens Ears to New Music,” Los Angeles Times, 1998
Schwendener, Martha, TimeOut New York, 1998
Hoban, Phoebe, “Music Only an Artist Can Love?” New York Times, 1997
Greene, David, “Hot Coffee,” Frieze, 1997
Saltz, Jerry, “Regular, No Sugar,” TimeOut New York, 1997
Schjeldahl, Peter, “La-la Band,” Village Voice, 1997